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Words and Music by Chaim Salenger

(c) 1993 Chaim Salenger - All rights reserved. 1993 Jerusalem Echoes Productions



SIDE ONE


American Exile

You can see it in their eyes

As they walk along their home

The narrow dusty streets that are Jerusalem stone,

That they've come to realize

What they've heard but never known

And the faces they are wearing are

American made.

From the land of silk and money

Where the free life comes so easy,

Where grandfather and mother came

To buy a better life

Where that great green gentile lady

Said "Welcome to my country

And maybe you'll survive an American exile."

An American exile

An American exile

We are fading

We are fading

An American exile

An American exile.

We are fading and fading away.

Like snow flakes softly melting

In a kind of blind surrender

Though some remain protected as they

Wander.

With a feeling nagging, leading

To the crystal Sinai waters

Washing away an American exile

An American exile etc.

(I Hate) Hebrew School

When I was just a little fellow

When I was just a little guy

Every day was sweet and mellow

I never had no need to cry

Until the day my father told me

He said "I hate to be so cruel

But you must suffer just like the rest of us

And go to Hebrew school."

And I said

"I oh I

I oh I

I hate Hebrew School

And tell me why oh why

Why oh why must I go to Hebrew School."

He said "It's purely academic

And it all boils down to money.

A couple years of pain and torture

And then the future works out sunny.

For on the day of your Bar Mitzvah

If I goes the way we planned it

Although it's bound to cost a bundle

You're gonna make out like bandit."

And he said "I oh I

I oh I

I hated Hebrew School."

I said "So why oh why

Why oh why must I go to Hebrew School."

Well it was worse than I imagined

All those hours of tearful prayin'

Cause we were bored to tears

Reading Hebrew prayers,

Never knowin' what we're sayin'

And that's why me and Herbie Berman

We would skip with no one knowin'

And all those afternoons at the Metrobowl

Learning pinball, pool and bowlin'

And we'd say

I oh I etc.

Well, on the day of my Bar Mitzvah

You know my dad was right as always

For all that cash kept flowin', flowin'

Filled up the temple room and the hallways.

And I got up and read some Hebrew

Still didn't know what I was reading

And then I made a speech and it was real nice

And I believe it's worth repeating

And I said..

I oh I etc.

Germany

Based on the writings of Abraham Geiger, a prominent

19th century leader of the German Reform Movement.

We are living, in the greatest land

The world has ever known

And my brother,

It appears that we have

Finally found a home

In this country, where a man is sure that

He is truly free

And there's never been a greater land

In all our memory

And we've finally found a home

In Germany.

There's no reason to remain forever

Separate and strange.

We can shed all of our shackles

And embrace the Modern Age

In this country

Where the people are so cultured and refined

And together we can live in perfect harmony

And find

That we'll always have a home

In Germany.

There are those who insist

With their stubborn minds

To hold tightly to the past

And they imagine they're unable

To compromise

All the ties that they hold fast,

To all their silly superstitions

And medieval lies.

How they foolishly believe in what they say

And how they foolishly go facing to

The eastern skies

To Jerusalem,

Where they believe

That they'll return someday.

But no longer

Shall we rely on fantasy or games

No no longer

For Berlin is our Jerusalem today

And forever

As we prosper in this land of liberty

And we live and die upon the holy soil of Germany.

We will always have a home

We will always have a home

We will always have a home in Germany.

S.S. Man

A true story, told to me by the person it happened to.

I was a slave in a German munitions plant

In the winter of '44

In a frozen Hungarian labor camp

Near the end of the Second World War

And I remember we were sitting around one night

Commiserating in the pale moonlight

Wondering aloud if we'd ever see the sight

Of a decent meal once more.

Then the door opens wide and this S.S. man

Comes inside and motions to me

Saying "I noticed you for the first time tonight

And I've come to foretell what will be."

He said "Tonight they will gather you all my friend,

And march you off to a field and then they'll

Finish you off with their guns, for the end

Is upon you now you see.

But you alone I will save.

Meet me in an hour and be brave."

Well I believe I killed a guard

With my own innocent hands

Huddling in the shadows I slipped through the yard

To rendezvous with my S.S. man

And he smuggled me out in the thick of the night

To the edge of the forest in the pale moonlight

And he wished me well as I ran for my life

And then deep in the distance as I run

I hear the thundering of guns..

Long ago

Were two small boys,

One was gentile

The other a Jew and the gentile boy was

Poor as a mouse

And the other was well-to-do

And everyday in the school house

The one with the candy

The one with the food

Would give half of all he had to his hungry friend.

And years go by and they forgot but

G-d never did

And when He brought them together

On that cold dark night

Seeing fit

To repay a debt

Looking down from where He hid.

Kosher Food

After all I have chewed

I can only conclude

That I'm a fan of nearly every cuisine

From Korean to the Creole down in New Orleans,

But there's one thing that I must confess,

I only ingest

Kosher food, kosher food, kosher food.

Now I know it's passe

For a nouveau gourmet

To say no to escargots and pate

And then decline to go and dine on crab souffle

And regarding that shrimp, I repeat,

I only eat

Kosher food, kosher food, kosher food.

Now I'm not talking kosher style

With its pastrami and it's salami, yeah -

But I've had kosher pastrami a couple of times before.

But I don't want to eat no treif my friend,

And if you do well that that's your business

But I won't be coming knocking at your door no more.

Now a nice b.l.t.

Don't do nothin' for me

And there's nothing nice about it no how

And even sausage makes me nauseous anyhow

And regarding that burger and cheese

Hold the cheese, if you please,

Kosher food, kosher food, kosher food.

Well, you can ruminate on brisket and gefilte fish and kiskes, yeah,

But if it ain't kosher then you'll just be wasting your time.

For though your mind may be well fooded

But your soul will get polluted

And for you this is totally unsuited

And its a crime, crime crime.

Well now a nice b.l.t.

Don't do nothin' for me

And there's nothin' nice about it no how

And you know sausage makes me nauseous anyhow

And if we truly are what we eat

We'd better eat

Bon Appetit kosher food.

SIDE TWO

A Wayward Ram

After being told not to slaughter his son Isaac

"... Avraham raised up his eyes and saw, and behold, a ram

after"... What is "After ?" ...After all of the generations (the people of) Israel will be in the grip of transgressions and tangled in troubles, and in the end will be redeemed by the ram's horns.." Midresh Rabba

It's a nice soft suicide

We are grinning as we go.

We've been taken for a ride

But to where we do not know.

Go and find the human heart

The human heart's in exile.

And so we say we're doing fine

Occupied in our own decline

And there we sit in a frozen mood

Shattering in pieces,

Filling up on foreign food

But funny how the hunger never ceases.

Through the vanities of time

And the platitudes of youth

We are wasted in our prime

And we can't afford the truth.

Tangled in the thicket like the horns of

A wayward ram

Listen well, and you'll hear that horn a-blowin'

Calling to the soul of man.

You can build a tower tall.

You can make yourself the king

And though the hand of man is small

He can do most anything

With every strange success we own

We say we're unassisted and though

History moves in a logical flow

We say that we're exempted

And when the physical shell gets thicker

You see the spark inside getting sicker

So we move around a little quicker

Employing every diversion that's invented,

In an artificial light,

Everything appears the same.

There's no wrong and there's no right,

Only thrills to ease the pain

Tangled in the thicket etc.

Float around on a lavender cloud

Thinking nothing serious

When suddenly you're on the ground

In ways that seem mysterious

To modify the crooked lines

To clarify the alibis

And whereupon you realize

That the bridge is rather narrow and precarious,

It's a nice soft suicide etc.


The King and Queen

In Judaism, a bride and groom are referred to during their

wedding and their first year of marriage as a King and Queen.

Family and friends are gathered 'round and fancy-free.

They dance before the King

They dance before the Queen

And everyplace a smiling face that knows without a doubt

That she has finally found the best

And he a place his heart may rest

And they will be forever blessed

Wherever they remain the King and Queen.

A singer singing harmony can never sing alone.

He needs another voice to complement his own.

When the voices mingle and their paths are woven tight

They merge in utter innocence

They bend in gentle permanence

The blending of two immigrants

The mending of the two halves, the King and Queen.

The dancers are dizzily dancing

And the jugglers are juggling well

But the King and the Queen are the stars of the night

The stars of the night

And the night is electric, charged with the air of delight

Life is ever fleeting and the years go rolling by.

The children who had wed

Have kissed their youth goodbye.

But somewhere lies a photograph

Remembering the scene

Where underneath a canopy

With faces frozen youthful

When they first became a family

And ever they remain the King and Queen.

Forever shall they reign

The King and Queen.

Rachel's Daughter

Though it's four in the morning

The mother so wearily rises and gathers her robe

And she smiles at her husband who lay sleeping,

How he keeps sleeping, she never knows,

For the room how it shakes when her baby awakens

She cuddles him close to her chest

Like she did for the other two before him

And how she hopes she will do for the rest.

And like the mother

Who came before her

There're many mountains

She need conquer

For all the flowers nestled in her soil

It's love like water

From Rachel's daughter.

And to those who say prison is something like home

And that children are nothing but chains,

She says "Come let me take you to my prison

Soft as sunlight

Pure as rain

Where prestige is obtained through a warm embrace

To a child who requires it somehow

And where freedom is flying on the inside

In the freedom that conscience endows"

And like the mother etc.

Now the laundry is hanging

The dishes are draining

And breakfast still on the floor

And the coffee she never got around to

Although she tries to hours before.

But now the children are busily playing

And the baby is finally asleep

And at last she sits quietly surveying

Satisfied in the company she keeps

And like the mother etc.

The Arrogant Prince

Based on a story taken from Rabbi Isaac Blazer's classic book "Kochav Ohr", used to demonstrate the meaning of the phrase.. "Our father, our King, hear our voice, pity and be compassionate to us", found in the Aveinu Malkenu prayer.

There once was a King

And the King had a son

And the son was a clever but arrogant prince

And the prince would often act in open disdain

And with bold disregard to his father the King

And the King wanted hard to ignore it

But in vain was the burden he bore

So they banished the prince from the palace

Though still what he wore

Were his royal robes.

So the prince went in search

Of somewhere to begin

And he came to a town

But he felt out of place

For the men were all minors

And he a noble man

With his long royal robes and his soft royal face.

And they made him an honorary minor

Digging down in some forsaken hole

But the robes that were once much finer

Turned black as the coal

And badly tattered.

Well then, thought the prince,

"I am far too elite.

I must dress and behave

Like the common folk do."

So he let grow his hair

And he drank and he cursed

And became like the others though possibly worse.

But the King had a change of heart one day

And he longed for his wandering son.

So somehow they finally found him

But strangely enough,

He'd forgotten who he was.

Well there stood the prince

In his black tattered robes,

Waiting out in the cold saying

"Please let me in"

And the guard took one look

At this strange ragged man

And said "I know the prince,

And buddy, you are not him."

But the King heard the noise in the palace

And the pleading and the cries of someone

And he called to the guard "Let him in,

Let him in, let him in;

That's the voice of my son."

Aveinu Malkenu

Our Father our King

Please hear our voice,

Please let us in.

And though we are ragged

And though we are wrong all along

We know it's true

Aveinu Malkenu.

Aveinu Malkenu

Our Father our King

Please hear our voice

Please let us in.

And though we are strangers,

Deep in our voice is the cry

Of your wandering son.

Aveinu Malkenu

Our Father Our King.

Land Can't Talk

The "wise man" is Rabbi Chaim of Volozhin,

the disciple of the Vilna Gaon.

Two guys fighting 'bout a piece of land

Each one says "It's mine".

They rush right off to the wise man and he says

"I don't know this time.

Maybe I'll go ask the land.

Maybe it'll tell me true

Who oh who does it belong to.

Maybe you

Or maybe you."

And they said "Land can't talk,

Land can't talk,

And even if it could,

It would plead for me,

But land can't talk."

They take him out to that piece of ground

He puts his ear to the earth.

Listens really carefully for a minute or so and says

"You won't believe what I heard.

The land says "You're both wrong.

You fight so foolishly

But don't you know that in the end my friends,

You'll both belong to me."

And you say land can't talk etc.


THE FOLLOWING TEXT IS BEING PROVIDED TO YOU BY OHR SOMAYACH INSTITUTIONS,
JERUSALEM. YOU MAY VIEW IT, DOWNLOAD IT, PRINT IT, AND DISTRIBUTE IT.
HOWEVER, THE MATERIAL IS COPYRIGHT (C) 1993 BY RABBI DR. AKIVA TATZ. THE
TEXT MAY NOT BE USED FOR COMMERCIAL PURPOSES OR PUBLISHED IN ANY FORM
WITHOUT THE EXPRESS WRITTEN PERMISSION OF THE AUTHOR.
RABBI DR. TATZ WAS RAISED IN JOHANNESBURG, SOUTH AFRICA. HE HAS LECTURED
INTERNATIONALLY IN THE FIELDS OF JEWISH PHILOSOPHY AND MEDICAL ETHICS, AND
IS PRESENTLY A SENIOR LECTURER AT OHR SOMAYACH INSTITUTIONS IN JERUSALEM.
HIS FIRST BOOK, THE BEST SELLING _ANATOMY OF A SEARCH_ DOCUMENTS THE
PERSONAL, OFTEN DRAMATIC STORIES OF YOUNG MEN AND WOMEN AS THEY MOVE FROM A
SECULAR LIFESTYLE INTO THE WORLD OF OBSERVANT JUDAISM.

FOR IMMEDIATE RELEASE

For More Information Contact:

Eliezer Shapiro Tel: 972-2-810315

Fax: 972-2-812890

An entirely different recording of Jewish music is now available. "Wayward Ram" is a collection of songs by singer-songwriter Chaim Salenger. Sophisticated, contemporary, thoughtful and often witty, these songs blend heartfelt and intelligent lyrics with intricate and inventive melodies and arrangements. This album is a breakthrough in Jewish music, certain to appeal to discriminating listeners who enjoy well crafted music and words, but with a Jewish angle.

"Wayward Ram" has been enthusiastically received by Jews from across the religious spectrum, who have enjoyed its often poignant and thought-provoking messages, its clever and enjoyable word-play and musical inventiveness. Chaim Salenger is a master songwriter who captures many moods and ideas in his songs. The broad appeal of his music is seen by the fact that, after purchasing this tape, many committed Jews have bought additional copies for their non-religious friends and family. The response has been tremendous.

Co-produced by Jeff Horowitz, a veteran of the Jerusalem recording scene, "Wayward Ram" is a refreshing musical experience. Salenger's solo acoustic guitar weaves through tight arrangements of electric and acoustic piano, woodwinds, strings, accordion, and percussion. With an expressive singing style, he tells stories of marriage and motherhood, exile and return; 'hating' Hebrew school and kosher 'cuisine'. In the particularly chilling song "Germany", he satirizes the 19th century German Reform Movement whose followers believed that "we will always have a home in Germany".

Prior to beginning yeshiva studies at Ohr Somayach in Jerusalem in 1982, Salenger had already begun a songwriting and performing career in the Chicago area. "I was inspired by the brilliant songwriters of the 60s, 70s and 80s - those who sought to re-create the song as a popular art form. Seeing that the Torah offers such a fresh and true perspective of life's dilemmas and joys, I soon began feeling that these ideas could be expressed in this way".
Fresh, unique and creative, "Wayward Ram" is the long-awaited contemporary Jewish recording for the times.

"Chaim Salenger widens the horizons of Jewish music with this recording.. Excellent lyrics... a very enjoyable album."

Yakov Asher Sinclair

Veteran producer of platinum selling popular artists "A masterpiece"

Peretz Eichler

Host of 'Generations' (WJLK)

"Wayward Ram" is available at all fine Jewish bookstores on the Jerusalem Echoes label, distributed by Aderet.

22 Shimon Hatzadik Street, POB 18103 Jerusalem 91180 Israel / Tel. 02-810315 Fax. 972-2-8128901

A WAYWARD RAM

Executive Producer - Robin Lauffer

Produced and arranged by Chaim Salenger and Jeff Horovitch
Vocals, acoustic and classical guitar - Chaim Salenger

2nd guitar on "Hebrew School" & electric guitar - Yosef Cohen

Cover Illustration & Design - Dain Marcus

Recorded at Creative Audio Studios - Jerusalem

Special thanks to Mr. and Mrs. D. Lauffer, Roger Sherizan, Bob Sunray and Boruch Smith.

Thanks to Rob Kurtz for the push; and Yehoshua Karsh, Ari Waldman and Gavriel Rubin for their assistance.
Thanks to my wife Judy, my parents and my in-laws for all their support.
To Reuven - Thanks for all the nights off.

Dedicated to Rav Mendel Weinbach and Rav Nota Schiller with heartfelt appreciation for all their encouragement through the years.

All Songs & lyrics (c) 1993 Chaim Salenger - All rights reserved.

1993 Jerusalem Echoes Productions